Synchronicity and Jung, a layer or a field.

Coincidence, maybe?
Let's talk Jung on what he called synchronicity, but first let's mention syncopation, the unanticipated offbeat which puts a bounce into a musical score that turns waltz into the wide eyed intensity of groove, jitterbugging, clash, cold weather swing and Doot. Why mention syncopation? Because in quantum physics there are currently at least 17 quantum fields. A field in physics is the word that describes an influence that isn't confined to a point but can be felt here as well as a billion miles away or in the case of an electric gramophone record player can be heard or felt 50 yards away by an average human ear. In a dance hall a gramophone record of the Merry Widow's Waltz, followed by a recording of the band Freur's Doot Doot, will fill a field with two rather different influences, moods, stories, cultures. With respect to synchronicity, it's Jung who suggests that in interactions between the internal mind and the external world there are sometimes moments of synchronicity. What's that? Jung offers this definition, synchronicity is a "meaningful coincidence" of events without a clear and obvious causal relationship. Along with a number of other possibilities, Jung suggested an acausal series of events that qualified as a "meaningful coincidence," might well come from a layer within reality where the psyche and the material world are intertwined. Jung didn't use the word field, he used the word layer. If he'd added the words or field to layer it would have made good sense to me.